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What it does: Removes small imperfections like dust spots, hairs, or blemishes from your image.
How to use:
Best for: Cleaning up dust, scratches, stray hairs, small blemishes before laser engraving
What it does: Selectively lightens (dodge) or darkens (burn) areas of your image.
How to use:
Best for: Adding depth, enhancing contrast in specific areas, bringing out details that will engrave better
What it does: Copies pixels from one area to another (clone) or blends copied pixels with the destination (heal).
How to use:
Best for: Removing larger objects, duplicating patterns, fixing damaged areas, seamless repairs
What it does: Pushes and warps pixels by dragging them in any direction.
How to use:
Best for: Straightening edges, adjusting hair position, subtle shape corrections, fixing minor distortions
⚠️ Note: Use carefully - this tool can create distortion. Best for small adjustments only.
What it does: Lets you move the image around the canvas to see different areas.
How to use:
When to use: When zoomed in and you need to access different parts of the image
What it does: Returns the image to the position and zoom level it was at when you first opened ADJUSTMENTS.
How to use:
Example: Enter adjustments at 100% zoom, centered → Zoom to 300%, pan to corner → Click RESET VIEW → back to 100% zoom, centered
What it does: Automatically scales small images to fill approximately 65% of the canvas area.
How to use:
When to use: When you upload a small image (like a 200×200px cropped logo) - makes tiny images easier to see and work with
Example: Upload 200×200px image → appears tiny on screen → Click FIT TO CANVAS → scales to ~420×420px → Much easier to edit!
What it does: Changes the magnification level of your image.
How to use:
When to use: Zoom in (200-400%) to work on fine details, zoom out (50-100%) to see overall composition. Use Left Click + Spacebar + Drag to navigate large or zoomed images.
Note: Zoom doesn't change your image - only how you view it. Your export will always be at the dimensions you set in RESIZE.
Auto Adjust analyses your image and calculates optimal settings for laser engraving. Choose the profile that matches your material — the engine adapts to each image differently.
What it does: Our best profile for high-resolution surfaces where the laser ablates or removes a coating to reveal a different colour beneath. Runs the full pipeline with adaptive edge polish for maximum detail.
Materials: Anodized aluminium, spraypaint-coated items, acrylic (back-engraved), painted tiles, powder-coated metals, coated tumblers, Cermark/Enduramark treated surfaces, stainless steel marking, bare brass.
How it works: These materials have uniform, engineered surfaces that can resolve fine detail at high DPI (500–1000). The pipeline runs CLAHE, adaptive sharpening, server-side tonal analysis, then applies an adaptive high pass edge polish as a final step — extracting fine edges and blending them back at a conservative, image-adaptive strength calculated from your image's characteristics.
Tip: Most coated materials need Invert ON so dark areas in the image become the laser's removal zones. Compare HD+ vs HD on the same image to see the edge polish difference.
What it does: Controlled contrast for materials where the laser creates micro-fractures on the surface, cracking or chipping to reveal lighter material beneath. Moderate processing avoids over-fracturing.
Materials: Slate, marble, granite, stone, glass, ceramic, porcelain, corian, mirror.
How it works: Fracture materials respond differently from burn or ablation surfaces — too much fine detail causes unpredictable micro-cracking, and transitions between engraved and unengraved areas are inherently rougher. This profile uses moderate contrast with controlled sharpening to create clean tonal zones that the laser can fracture predictably.
Tip: Slate and stone typically need Invert ON — the laser fractures the dark surface to reveal lighter stone beneath. For glass with marking compounds, Invert is usually OFF.
What it does: Strong, purpose-built processing for organic materials that the laser burns through pyrolysis. Deeper tones, aggressive contrast, and edge polish tuned for substrates where grain and texture compete with your image.
Materials: Wood, leather, cork, bamboo, cardboard, paper, fabric, MDF, plywood.
How it works: Organic materials physically swallow fine detail — wood grain, leather texture, and heat diffusion all blur subtle gradations. This profile pushes harder than HD: stronger CLAHE, deeper gamma, higher contrast with shadow lift and highlight pull-down, plus an organic-tuned edge polish to help fine detail survive the substrate's natural texture.
Tip: Wood and leather typically don't need Invert — the laser darkens the surface naturally. SD now includes edge polish (same as HD+) tuned specifically for organic materials.
What it does: Contrast Limited Adaptive Histogram Equalization — enhances local contrast across different regions of the image independently, bringing out hidden detail in shadows and highlights.
How it works: Unlike global contrast which pushes everything equally, CLAHE divides the image into small tiles and optimises each one. Detail hiding in dark areas gets revealed without blowing out bright areas.
Tip: CLAHE is applied automatically as part of HD+/HD/SD auto-adjust. The manual button lets you apply it independently for fine control. Click again to undo.
What it does: Enhances detail in textured areas like skin, fur, wood grain, and edges while leaving smooth areas like backgrounds and gradients untouched.
How it works: Unlike the Sharpen slider which applies equally everywhere, this analyses local texture and only sharpens where detail actually exists. Fine texture gets a tight sharpen, broader edges get a wider enhance, smooth areas are left clean.
Tip: Apply after CLAHE for best results. Also applied automatically as part of HD+/HD/SD auto-adjust. Click again to undo.
What it does: Manual high pass sharpening with a live preview. Same technique used by HD+ auto-adjust, but with full control over radius and strength.
How to use:
Tip: The popup opens with server-recommended values based on your image. For most images, a small nudge from the defaults is all you need. Use Edge Preview to find the right radius, switch to Blended Preview to check the result, then Merge.
What it does: Flips light and dark values - white becomes black, black becomes white.
When to use:
What it does: Sets black point (darkest value) and white point (lightest value).
How to use:
Tip: If your image looks washed out, bring the handles inward.
What it does: Makes entire image lighter or darker.
Range: -100 (darker) to +100 (lighter)
Tip: Small adjustments (-20 to +20) are usually enough.
What it does: Increases or decreases difference between light and dark areas.
Range: -100 (less contrast) to +100 (more contrast)
Tip: Higher contrast helps details engrave more distinctly.
What it does: Adjusts mid-tones without affecting pure black/white.
Range: 0.2 (darker mids) to 2.2 (lighter mids)
Tip: Use gamma to bring out shadow detail (increase) or make highlights pop (decrease).
What it does: Makes edges and details crisper for cleaner engraving.
Range: 0% (no effect) to 200% (very sharp)
Recommended: 10-30% for most images. Auto Adjust applies 11%.
⚠️ Too much sharpening creates harsh edges that may engrave unevenly.
What it does: Softens the image, reduces noise and fine detail.
Range: 0 (no effect) to 50 (heavy blur)
Tip: Light smoothing (5-15) can reduce noise before dithering.
What it does: Fine-tunes how different tonal ranges are rendered - think of it like adjusting specific zones of your image independently.
Sliders (all stack together):
Common uses:
Tip: Small adjustments (±10 to ±30) usually work best. All three sliders combine for the final effect.
What it does: Flips the image horizontally (left-to-right).
How to use: Click once to mirror, click again to flip back. The toggle is instant — no sliders, no settings.
Best for: Engraving on the back of transparent or reflective materials (mirrors, acrylic, glass). When viewed from the front, the image reads correctly.
Tip: Also useful for iron-on transfers and any reverse-side application where the final image needs to appear non-mirrored to the viewer.
Select a dithering algorithm to see details